Saturday, December 28, 2019

Margaret Sanger s Stand Up For Birth Control Rights

Imagine being a married woman in your 30’s during the beginning of the twentieth century. You are worn out from giving birth multiple times and you are desperate to know of a way to prevent yourself from having more children. This was the exact case for millions of women in the twentieth century. Women had no rights as a person, nor did they have any rights to their own bodies. In this era, the topics of sexuality, sex and birth control were all taboo subject matters and never discussed between married or unmarried couples. It wasn’t until the year of 1912 that a woman by the name of Margaret Sanger started her crusade to promote the right for women to use contraceptives to prevent unwanted pregnancies. In this essay, I will discuss what inspired Margaret Sanger to stand up for birth control rights. I will also explore the trials and legal issues that Sanger came up against. Lastly, I will talk about the victory and the difference Sanger made for women in the twentieth century. Sanger dedicated her life and career to legalizing contraceptives all across the United States. She wanted all woman to have the freedom to decide whether or not they wanted children. Margaret Louise Higgins (Sanger was her married name) was born in the year of 1879 in Corning, New York. She was sixth of eleven children and was born into an Irish-American family. Margaret knew at a very young age that she wanted to make a difference to empower women and to leave her mark on the world. Margaret wasShow MoreRelatedMargaret Sanger Essay1428 Words   |  6 PagesMargaret Sanger The early twentieth century was a turning point in American history-especially in regards to the acquisition of womens rights. While the era was considered to be prosperous and later thought to be a happy-go-lucky time, in actuality, it was a time of grave social conflict and human suffering (Parish, 110). Among those who endured much suffering were women. As Margaret Sanger found out, women, especially those who were poor, had no choice regarding pregnancy. The only wayRead MoreMargaret Sanger : A Birth Control Activist1508 Words   |  7 PagesMargaret Sanger was not only a birth control activist, she was also an author, a nurse and a sex educator and many of her influences for being an activist come from her family. Born on September 14, 1879, in Corning, New York, she was the sixth of eleven children born into a poor Roman Catholic family (Sanger 14). Her mother had various miscarriages, which Sanger believed affected her mother’s health, and was a devoted Roman C atholic who believed one should conform to the rules while her father wasRead MoreMargaret Sangers Stand Up For Birth Control Rights1325 Words   |  6 PagesImagine being a married woman in your 30’s during the beginning of the twentieth century. You are worn out from giving birth multiple times and you are desperate to know of a way to prevent yourself from having more children. This was the exact case for millions of women in the twentieth century. Women had no rights as a person, nor did they have any rights to their own bodies. In this era, the topics of sexuality, sex or birth control were all taboo subject matters and never discussed between marriedRead MoreMargaret Sanger : A Battle Between Modernism And Traditionalism1368 Words   |  6 PagesRoaring Twenties also know as a new era which was a great time for a revolution.We think of this â€Å"New Era† as a freedom for women. Now women were â€Å"breaking down the spheres of Victorian values (Zeitz). † In 1920, the powerful women s rights movement gave the women right to vote after so many years. Now they started to become more independent and had less restriction put into them.This time period gave rise to the flapper girls who smoke, drank, and had sex as they pleased.Many women became rebelsRead MoreA Speech That Made History1553 Words   |  7 PagesAmericans were beginning to gain some basic human rights, and women were very slowly starting to gain equality with men. Women were now able to get jobs, but they were still not fully in control of their own bodies. There was a lot of (was much) controversy over topics such as pre-marital sex, birth control, and abortion, and these controversies were part of what led Margaret Sanger to give her speech about the morality of birth control in the early 1920s. Sanger used many different techniques in her speechRead MoreMaking A Change : Margaret Sanger1713 Words   |  7 PagesMaking a Change: Margaret Sanger’s 1925 Speech Margaret Sanger’s, The Children’s Era, exudes knowledge on how contraceptives and birth-control will create a better world for the children. This paper conducts a Neo-Aristotelian analysis of Margaret Sanger’s 1925 speech. It contributes to rhetorical theory by advancing knowledge of how rhetors create a consensus on the use of birth-control and contraceptives. The paper proceeds first by establishing the context of the speech, which will include theRead MoreMargaret Sanger s Life And Life1272 Words   |  6 Pages Margaret Sanger was born in Corning, New York on September 14, 1879 [3] as Margaret Louise Higgins. [1] Her father, Michael Higgins, originally studied phrenology and other medical practices, but eventually moved to being a stone cutter. Her mother, Anne Higgins, was born in Ireland, and her family moved to Canada during the Potato Famine. In 1869 Michael married Anne and she went through 18 pregnancies, only 11 of which lived. [3] Margaret was th e sixth child in this long line and spent herRead MoreEugenics And Scientific Racism : Margaret Sanger1174 Words   |  5 Pages Eugenics and Scientific Racism: Margaret Sanger The study or practice of attempting to ‘improve’ the human gene pool by encouraging the reproduction of people considered to have desirable traits and discouraging or preventing the reproduction of people considered to have undesirable traits; Eugenics. In the early 20th century, Eugenics grew popular among mainstream scientists, physicians and the generalRead MoreRisky Business1206 Words   |  5 Pagesthe future for women. Some even risked and gave up their freedom to demonstrate how important it was for society to change. I believe a great example of someone who risked many things for the future of women in society was Margaret Sanger. Sanger began her journey into historical fame as a visiting nurse, someone who saw all of the pain and suffering that women went through due to the lack of birth control and the lack of acceptance of birth control in America, at that time. Jake Sachs, a truckRead More Biography of Margaret Sanger Essay5092 Words   |  21 PagesBiography of Margaret Sanger Margaret Sanger founded a movement in this country that would institute such a change in the course of our biological history that it is still debated today. Described by some as a radiant rebel, Sanger pioneered the birth control movement in the United States at a time when Victorian hypocrisy and oppression through moral standards were at their highest. Working her way up from a nurse in New Yorks poor Lower East Side to the head of the Planned Parenthood Federation

Friday, December 20, 2019

George Orwell s Animal Farm Essay - 1581 Words

Karl Marx, writer of Communist Manifesto along with Friedrich Engels, is represented as an old, wise pig in George Orwell’s Animal Farm. Because Orwell is a democratic socialist and does not accept the ideologies of Marxism, he reveals the reality of communism and reflects his opinions through sardonic situations that occur among animals. The state of communism that Marx and Friedrich Engels describe is where the state is abolished, people live in a society where members work together in agreement and no one is exploited, and every member shares the rewards of hard work. The envisions of Marx greatly contrasted with the plot of Animal Farm. Old Major, a pig, had a dream that mirrored Marx and his dream of communism. This â€Å"dream† was ironic because it suggests that communism was only a dream and would never be obtained. The Soviet Union’s policies were seen as steps to reach communism, rather than the end result of communism, in which all animals of the farm endured. The characters in Animal Farm had to pass through this in between stage before becoming a complete communist society, and in reality they remained in this stage and believed they were close to their goal. The animals, who were the laborers, fulfilled Old Major’s wish and overthrew the capitalistic men with a revolution, much like how Marx and Engels hoped for the day the Proletariat would overthrow the Bourgeois, the owners of private property. He focused on arousing the animals emotionally and didn t mentionShow MoreRelatedGeorge Orwell s Animal Farm1361 Words   |  6 Pagesfarmer, but of late he had fallen on evil days†(Orwell 38). In Animal Farm George Orwell describes life for the animals on a farm in the english countryside during the mid to early 20th century before, during and after a revolution against their master Mr.Jones in order to represent the russian revolution and describe to people throughout the free world how leaders in both capitalist and communist societies oppress the working class as a result Orwell s tone throughout the novel is concerned. TsarRead MoreGeorge Orwell s Animal Farm958 Words   |  4 PagesImagine that you were an animal s or citiz en living under Napoleon or Stalin rule and the fear that your life can be taken always from you at any time. In the novel of Animal Farm, George Orwell he wanted to show how a book is a sarcasm of the Russian Revolution during the communist years and the satire of that time between Trotsky and Stalin. Where Orwell chose to create his character base of the common people of Russia at the time of the Revolution. Animal Farm is a social or allegory about NapoleonRead MoreGeorge Orwell s Animal Farm1392 Words   |  6 Pages George Orwell Never Misuses Words In what was a vastly controversial novel published in 1945, George Orwell’s Animal Farm describes the horrific brand of communism in the Soviet Union and the conscious blindness that most of the West accepted at that time. Although Orwell labeled Animal Farm as a fairy tale, this historically parallel novel branches into the genres of political satire, fable, and allegory as well. What made Animal Farm so controversial among the â€Å"British socialists† and WesternRead MoreGeorge Orwell s Animal Farm1395 Words   |  6 PagesGeorge Orwell’s Animal Farm: The Power of Corruption In George Orwell’s Animal Farm, Orwell illustrates how power corrupts absolutely and how Napoleon degrades the structure and stability of Animal Farm because of the decisions that he makes. I will also expand on the idea of how Old Major’s ideas for an organized society get completely destroyed by Napoleon’s revolutionary actions. It was ironic and satirical that Napoleon’s own power annihilates Animal Farm. The satire in George Orwell’s AnimalRead MoreGeorge Orwell s Animal Farm922 Words   |  4 Pages In the novel Animal Farm, by George Orwell, the wisest boar of the farm, Old Major, mimics Karl Marx, the â€Å"Father of Communism,† and Vladimir Lenin, a Russian communist revolutionary. George Orwell introduces direct parallels between the respected figures through their mutual ideas of equality and profoundly appreciated qualities. Furthermore, his utilization of dialect and descriptions represent the key ideas of the novel. Throughout the novel, Orwell continues to show comparisons betweenRead MoreGeorge Orwell s Animal Farm1463 Words   |  6 Pagesbut of late he had fallen on evil days†(Orwell 38). In Animal Farm, George Orwell describes life for the animals on a farm in the English countryside during the mid to early 20th century before, during and after a revolution against their master, Mr.Jones. Orwell does this to represent the Russian revolution and describe to people throughout the free world how leaders in both capitalist and communist societi es oppress the working class. As a result Orwell s tone throughout the novel is concernedRead MoreGeorge Orwell s Animal Farm1645 Words   |  7 PagesPeople respond to control and power differently for various reasons, however, one of the main reasons is based on their personality; their confidence and intelligence. In, Animal Farm by George Orwell, confidence and intelligence is a big factor for why certain animals obtained power and control and why other ones did not. People with confidence and intelligence are likely to gain most of the control and power. People with little intelligence, but lots of confidence are more likely to have someRead MoreGeorge Orwell s Animal Farm1360 Words   |  6 Pagesquestion minus the answer.† In George Orwell’s â€Å"Animal Farm†, the author raises the question whether the type of government, communism, is feasible in a community without leading to a type of dictatorship or totalitarianism. Orwell presents the idea that communism is a good idea in theory, but it always leads to corruption by the people who take power. The author presents the novel as an entertaining fable featuring an animal revolution; however, beneath this storyline Orwell utilizes literary devicesRead MoreGeorge Orwell s Animal Farm1449 Words   |  6 Pagesconcept that the animals in George Orwell’s novel Animal Farm crave. The animals of Animal Farm want freedom from their â€Å"dictator† Farmer Jones and the rest of humanity. Their problem is that Farmer Jones and humanity are still in power. With the bravery of two pigs, Napoleon and Snowball, the animals overthrow their human oppressors and free themselves from humanity. With his new freedom Napoleon craves power and expels Snowball. He becomes the dictator of Animal Farm and makes the farm a place whereRead MoreGeorge Orwell s Animal Farm1255 Words   |  6 Pagesrebellion in history. With these principles at heart, it only seems logical that human society should become utopian. Despite the principles, the French revolution paved the way for the autocratic rule of Napoleon. History repeats itself; George Orwell’s Animal Farm follows the rise of Animalism which serves as an allegorical reflection of the 1917 Russian revolution that led into the Stalinist era. Many revolutions throughout history follow the same path as the newly installed government always become

Wednesday, December 11, 2019

State of NSW v Delly

Question: Discuss about the State of NSW v Delly. Answer: Factual background Joanne Delly being the respondent resided in an apartment house with her de facto spouse Mark Helmout. On 19 June 1998 Delly, her spouse and numerous numbers of other individuals had departed towards the apartment of the respondent at around midnight after a night of having drinks. The daughters of the respondent i.e. Rose, aged 3, and Jasmine, aged 7 months, were also there in the apartment. It was then when an argument initiated to take place among Paul Harris and Peter. Peter was Dellys de facto spouses brother. He initiated punching Harris when the respondent was asked to go in her bedroom as she was trying to come in between them. Harris was killed and after sometime when Delly came out of her bedroom then she saw the body and she then assisted Peter in cleaning up the lounge room once Harriss body had been removed. Untimely the subsequent morning police came into the apartment with a search warrant. Delly listened to the police and told Mark, Peter and Debbie Davidson, who were sleeping in the apartment all night that they were under arrest so they must be awake. A police officer asked the respondent her basic details such as her name, birth date and updated her that she would be taken to the Queanbeyan Police Station. It was general foundation that the respondent was then under arrest and was immediately taken into custody. It was also general basis that the respondent was not told that she was under arrest and what was the reason for her arrest. The respondent spent a day at the police station and was by no means was warned or charged. At 11am the police updated the statement that she could not be charged with any offence but did not notify her of this detail. There was no confrontation to the trial judges judgment that she stopped to be under arrest at 12:30pm.[1] Case Analysis It was upheld by the court on the basis of the liability that there has been a exception to the needs that an individual, when arrested should be updated of the cause why a person was arrested, unless the situations were such that they must know the usual character of the alleged offence for which they were detained, although it did not pertain to the present case.[2] For the exception to be applicable, the respondent must have known that she was being arrested for certain criminal act that was specifically linked to the slaughter and must have certain significant information of what the accusation was likely to be. Although, it has been stated that all the arrested individuals were permitted to recognize what were the details which constitute a crime for which they were detained but it departs further than was essential to safeguard the position of the individual arrested to entail the police authority to devise a particular accusation.[3] The reward of $25,000 by way of common compensatory costs was in the higher range but was not noticeably extreme under certain situations.[4] While the law did not enlighten the defendant that she was arrested for what reason as it was usual basis that she was detained and taken into charge. It was in Adams v Kennedy (2000) 49 NSWLR 78[5] wherein it was stated that police authorities have the obligation to inform a detained individual of the reasons for the arrest. In Christie v Leachinsky [1947] AC 573[6] it was concluded that if a police officer detains without permission upon rational distrust of crime, or of other accusations of a type which does not need permission, he must in common situations notify the individual detained of the actual base of detention. He was not permitted to maintain the cause to himself or to grant a cause which was not the accurate cause. If the resident was not so well-versed but was however detained, the policeman, apart from some exceptions, was lawfully responsible for false imprisonment.[7] Although, an individual who was arrested could not make a protest that he has not been completed with the above data as and when he should be, if he himself creates the circumstances which makes it basically unfeasible to notify such person. Relevant Law Under law it has been stated that it was a term of legal detention that the person who was detained should be allowed to know why he was detained, and then, since the dealings of life seldom confess a complete principle or an incompetent scheme. It also needs that where detain profits upon permission, the permission should tell the allegation upon which the detention was made. Although there was a divergence of opinion of two different Lords namely Viscount Simon and Lord du Parcq. As Lord Simonds states that the detained individual must be told the charge or the offense for which the detention was made. Though Lord du Parcq states that while the detained individual must be familiar with the cause of detention, the striking police officer requires not to creating any accusation at all, much less the allegation which may eventually be originated in the denunciation.[8] Though in the case of Christine it was concluded that there has been a rationale behind the rule that individuals were allowed to be acquainted with why they were being detained which was that they should be put in a place to be capable to provide a clarification of all the misunderstanding, or to call concentration to other people for whom they may have been misguided, or to grant certain other exculpatory motives.[9] In the view of the judges it was stated in Gelberg v Miller [1961] 1 WLR 153[10] that section 352(2) of theCrimes Act1900 (NSW)[11] would not be helpful. As under this part, a fascinating official was needed to suppose that the detained individual had devoted a wrongful act which was penalized under any regulation does not essentially direct to a conclusion that the official was needed to tell the individual of the specific act the official had in intellect. Also, in Coyne v Citizen Finance Limited (1991) 172 CLR 211[12] it was concluded that where a claimant was entitled to compensatory compensation for unlawful detention or false imprisonment, it would be appropriate for the tribunal, in evaluating usual compensatory compensations, to take into account the complete of the behavior of the respondent at the time of proceeding which may have the effect of growing the harm to the feelings of the people. However, for a claimant to be allowed to motivated compensations, he or she must depict that the behavior of the respondent was neither bona fide nor reasonable. In the present case, the tribunal recognized a plea from a very elevated reward of compensations in a criminal detention and imprisonment cases. The claimant was a 23 year old mother merely taken by the police and detained for under a day at the police station in the probable milieu of a assassinate study. She was not well-versed of the accusation and not told that at some point during the day, the police decided they would not charge her. They only let her go later. Conclusion The appellant has increased one confrontation to obligation and 3 challenges to the main adjudicator and his evaluation of compensations. It has been abortive in its confrontation on duty and on its claim that the sum of compensatory compensation which was granted by the primary adjudicator was extreme. It has been victorious in having the reward of forced costs set aside and partially victorious on the problem of exemplary compensations insofar as the sum awarded by the judge was to be abridged. Although the conclusion was that the appeal was permissible in part, by far the major section of the trial of the plea alarmed the problem of duty which, surely from the appellants viewpoint, raised queries of universal importance. In all the situations and notwithstanding that the appellant has partially achieved something in having judges reward of compensations abridged, nevertheless in their opinion it should reimburse the damages of the petition including the expenses of the claim for leave to appeal. The tribunal concluded its substantive verdict in this case by stating the subsequent orders: Appeal was allowed in part. The grant of damages was set aside in favour of the respondent and in lieu thereof entered in a conclusion for the respondent in the costs of $35,000. References Cases Adams v Kennedy (2000) 49 NSWLR 78. Christie v Leachinsky [1947] AC 573. Coyne v Citizen Finance Limited (1991) 172 CLR 211. Gelberg v Miller [1961] 1 WLR 153. Legislations Crimes Act1900 (NSW), s 352(2). Websites Australasian Legal Information Institute, State of NSW v Delly [2007] NSWCA 303 https://www.austlii.edu.au/cgi-bin/sinodisp/au/cases/nsw/NSWCA/2007/303.html?stem=0synonyms=0query=lrla1983321 Benchmark, A Daily Bulletin listing Decisions of Superior Courts of Australia Compiled for Insurers, (8 November 2007) https://benchmarkinc.com.au/benchmark/insurance/benchmark_08-11-2007_insurance.pdf Courts of New Zealand, State of New South Wales v Delly [2007] NSWCA 303, https://www.courtsofnz.govt.nz/cases/susan-couch-v-the-attorney-general-1/@@images/fileDecision Jade, State of NSW v Delly (No2) [2007] NSWCA 367, (14 December 2007) https://jade.io/article/18821 New South Wales Case Law, State of NSW v Delly [2007] NSWCA 303, https://www.caselaw.nsw.gov.au/decision/549fc9363004262463bc3312 Robinson, DAMAGES IN FALSE IMPRISONMENT MATTERS, (22 february 2008) https://www.robinson.com.au/monoartpapers/papers/MAR%20Damages%20in%20False%20Imprisonment%20Matters-as%20Delivered%2022%20February%202008.pdf Turner Freeman, Beckett v State of New South Wales, https://www.turnerfreeman.com.au/nsw/wp-content/uploads/sites/3/2015/11/beckett-judgment-24.8.151.pdf

Wednesday, December 4, 2019

Compare and Contrast Italian Renaissance Painting Essay Example For Students

Compare and Contrast Italian Renaissance Painting Essay The Renaissance was stimulated by the revival Of the classical art forms Of ancient Greece and Rome. The re-birth of knowledge, better known as the Renaissance, can be contributed to the teachings Of the Humanists at the time. Francesco Patriarch took little interest in his legal studies, and much rather preferred to spend his time learning about the classical Greek and Roman philosophers. In his readings, lying out before him were the ancient values of. Greek love of physical beauty, of nature, of freedom and the ideals of the Greek city-states [which) appeared side by side with the historical awareness, political power and firm determination of the Romans (Lets 8). From the ancient texts Patriarch, re-discovered the significance of liberal studies once considered for a free man in Greek or Roman culture to follow, called Studio Humanities. A free man studying Studio Humanities, would study grammar, rhetoric, history, poetry and moral philosophy and would be called a Humanist. When Humanism began to spread, the result was the Renaissance, which restored life and values which had been buried for centuries. The renewed interest oftenest ancient ideas triggered the coming advancements in art, science and society, To contrast and differentiate the Italian Renaissance with its Northern counter-part is simplistic, o compare between the two becomes slightly more difficult. Throughout history the primary historical focus of the Renaissance was based primarily on Italy, but north of the Alps, the arts had reached an apex a century earlier in the Gothic, the antithesis of the classical. And even after the period of its Gothic prestige, Northern Renaissance art flourished and in many ways it was just as splendorous and revolutionary as the Renaissance in Italy, but just had different aspects. The Northern Renaissance was distinct from the Italian Renaissance in its centralization of political power. Countries in central and Western Europe began emerging as nation-states. The Northern Renaissance baas also closely linked to the Protestant Reformation and the long series of conflicts between the different Protestant churches and the Holy Roman Catholic Church. In the fifteenth century, Italy was not a unified country or made up of nation- states like the North, but a series of principalities, Duchies, and Republics ruled by affluent merchant families that were major patrons of art. Thus, allowing countless centers of free trade and commerce to emerge, resulting in the rapid spread and exchange of new ideas. In the North there was a fewer number of economic trade centers like in Italy, thus making the centers of free commerce in the Low Countries, France, and the Holy Roman Empire to be more spread out resulting in less communication and comparison Of new ideas. The North also did not have a wealthy merchant class to constantly fund various art projects. This was not the case in the north. In fact, the only notable similar class, like the merchants of Italy, in the North lay in the Duchy of Burgundy with the Dukes of Burgundy. The Duchy of Burgundy encompassed a territory from present-day eastern France northward to the sea, and included parts of modern Belgium and sections f the current Netherlands. It was the only state standing amid France and the vast Holy Roman Empire at the time. The dukes of Burgundy would best fit the description as a worthy counter part to the wealthy merchants of Italy. But their wealth and patronage was their only claim to a similarity, because the type of patronage and works they funded contrasts heavily with the merchants in Italy. The Dukes patronage funded illuminated manuscripts, tapestries and furnishings to fill their many castles they owned. Unlike their wealthy Italian counter parts, the merchant patrons of Italy were keener on fresco paintings, sculpture and architecture. .u7d3c75bf0581ebb63b025f4612024dbe , .u7d3c75bf0581ebb63b025f4612024dbe .postImageUrl , .u7d3c75bf0581ebb63b025f4612024dbe .centered-text-area { min-height: 80px; position: relative; } .u7d3c75bf0581ebb63b025f4612024dbe , .u7d3c75bf0581ebb63b025f4612024dbe:hover , .u7d3c75bf0581ebb63b025f4612024dbe:visited , .u7d3c75bf0581ebb63b025f4612024dbe:active { border:0!important; } .u7d3c75bf0581ebb63b025f4612024dbe .clearfix:after { content: ""; display: table; clear: both; } .u7d3c75bf0581ebb63b025f4612024dbe { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u7d3c75bf0581ebb63b025f4612024dbe:active , .u7d3c75bf0581ebb63b025f4612024dbe:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u7d3c75bf0581ebb63b025f4612024dbe .centered-text-area { width: 100%; position: relative ; } .u7d3c75bf0581ebb63b025f4612024dbe .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u7d3c75bf0581ebb63b025f4612024dbe .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u7d3c75bf0581ebb63b025f4612024dbe .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u7d3c75bf0581ebb63b025f4612024dbe:hover .ctaButton { background-color: #34495E!important; } .u7d3c75bf0581ebb63b025f4612024dbe .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u7d3c75bf0581ebb63b025f4612024dbe .u7d3c75bf0581ebb63b025f4612024dbe-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u7d3c75bf0581ebb63b025f4612024dbe:after { content: ""; display: block; clear: both; } READ: Guhyasmaja Akshobhyavjra with Consort EssayA difference that is often overlooked, but impacts and influences the Italian and Northern Renaissance enormously, are the individual climates of the each region. It is not often taken into consideration but how hot or how cold a climate is affects the style, texture, preservation, and medium of choice of an artist. Italy is located by the Mediterranean Sea, and in fact is geographically almost entirely engulfed by the Mediterranean. The Mediterranean, with the exceptions Of the colder regions of the Alps which lie in severe north Italy, produces a warm and damp climate for the most Of the year. This warm climate allows the Italian Renaissance artists to use a lighter paint, and in most cases lighter colors, that results in the production Of the famous Frescos that would be seen frequently through out the Italian peninsula. This was extremely different in the North, artistic style wise and obviously climate wise. The Low Countries, France, the Duchy of Burgundy, and the Holy Roman Empire are not known to be warm. In fact, the terrain is comprised of mountainous, forested, and rugged lands, with the overall climate being cold and wet with snow. Because of such a colder climate the idea of frescos was unheard of, it would have been nearly impossible o paint them in such a cold climate. The northern artists perfected the art of oil based paintings on canvases. Their oil paint would be applied thicker giving a rough texture and it was heavier than the lighter paint and application of the frescos in Italy, but not only was the paint heavier, but the color was heavier too. The climates of the respective regions can be attributable to very different stylistic techniques used by the artists of both Renaissances. The Renaissance painting was once described by Giorgio Vassar in 1558 as painting is but the imitation of things as they are, quoted from his book The Lives of the Painters, Sculptors and Architects. This is a very true comparison for both Renaissances, in the North and on the Italian Peninsula. But the stylistic techniques that define the comparison of the renaissances differ Aforementioned was the difference between mediums, resulting in different textures; a consequence of climatically different regions. But the styles of each respective renaissance still differ greatly. One such noted difference is the content and subject Of each respective region. As previously stated by Vassar painting is but the imitation of things are they re, and the things Of the north at the time was religious turmoil and conflict. In 151 7, Martin Luther nailed his ninety-five thesis to a German church door, which sparked the movement known as the Protestant Reformation. Many Northern Renaissance art works reflect not just the Protestant Reformation. UT religion on the whole. Although many Italian artists did manufacture art works involving religion but it was normally as a result of the artist being commissioned by the Catholic Church, unlike their northern counter parts where they freely depicted religion and religious struggles with or without a commission. Stylistically, the Renaissance played with the effect and emphasis of light in their paintings, The Northern Renaissance, particularly in the Low Coun tries, light was emphasized heavily, like the mediums, textures and color. The use tot light was used very dramatically and almost always drew the audiences eye to the overall subject of the work. The Northern artists would also clutter their paintings with detail and few regards to perspective. It would be rare to have a painting classified as a Northern Renaissance piece and it not have clutter. In Italy at the time, painting had a linear perspective. Linear perspective is a thematic formula for generating the illusion of space and distance on a flat surface, in this case a fresco or canvas The system originated in Romancer, Italy in the late sass. .u84c3b39139f0988e4a18cf1d47c3cdaf , .u84c3b39139f0988e4a18cf1d47c3cdaf .postImageUrl , .u84c3b39139f0988e4a18cf1d47c3cdaf .centered-text-area { min-height: 80px; position: relative; } .u84c3b39139f0988e4a18cf1d47c3cdaf , .u84c3b39139f0988e4a18cf1d47c3cdaf:hover , .u84c3b39139f0988e4a18cf1d47c3cdaf:visited , .u84c3b39139f0988e4a18cf1d47c3cdaf:active { border:0!important; } .u84c3b39139f0988e4a18cf1d47c3cdaf .clearfix:after { content: ""; display: table; clear: both; } .u84c3b39139f0988e4a18cf1d47c3cdaf { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u84c3b39139f0988e4a18cf1d47c3cdaf:active , .u84c3b39139f0988e4a18cf1d47c3cdaf:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u84c3b39139f0988e4a18cf1d47c3cdaf .centered-text-area { width: 100%; position: relative ; } .u84c3b39139f0988e4a18cf1d47c3cdaf .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u84c3b39139f0988e4a18cf1d47c3cdaf .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u84c3b39139f0988e4a18cf1d47c3cdaf .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u84c3b39139f0988e4a18cf1d47c3cdaf:hover .ctaButton { background-color: #34495E!important; } .u84c3b39139f0988e4a18cf1d47c3cdaf .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u84c3b39139f0988e4a18cf1d47c3cdaf .u84c3b39139f0988e4a18cf1d47c3cdaf-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u84c3b39139f0988e4a18cf1d47c3cdaf:after { content: ""; display: block; clear: both; } READ: Harlem renaissance paper EssayThe artist and architect Brucellosis demonstrated its principles and excelled at IL Not only was painting revolutionized during the Renaissance but the art of sculpting took a dramatic change in both regions. In Italy, sculpture began to take shape of its Greek and Roman predecessor, in its depiction and ability to capture natural human elements. Marble sculpture was more predominant in Italy because of the vast marble quarries, which in the North numbered in the ewe if not none. Michelangelo free standing sculpture titled David would be one of the best examples of Italian Renaissance marble sculpture. In the North, sculpture did not take free standing form but in relief on church doors and buildings themselves, a technique that reminiscences from the Northern Renaissances Gothic roots. In most cases, sculpture unlike the paintings, would be commissioned by a Northern Renaissance church. Made of stone, these church sculptures would depict scenes from the bible. Sculptors would learn their trade in a Guild. A guild can be the only true aspect of the Renaissance that the North and Italy hared as a whole, A guild a center of learning and knowledge in a particular field of art or trade. The master or the head of the Guild and generally the best in that respective field, would apprentice out young men for the guild and teach them the tricks of the trade. 80th regions of the Renaissance enacted the use of Guilds to help spread the knowledge. The Renaissance, in the North and Italy, was a monumental period of change, not just for the world of art and sculpture, but for religion, technology and the use of science. Under the Renaissance, human progress was making up pace.